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On Screen China: Booming Box Office Ends 2015 Up 48.7%
In 2015, China’s booming box office grew an incredible 48.7% to reach a record $6.8 billion (RMB 44.07 billion) according to a statement released late Thursday by SARFT (State Administration of Press, Publication, Radio, Film, and Television). The yearly growth was the second highest since China’s modern film industry began to develop in 2004, second Read More
That’s a Wrap: 2015’s Top China Film Stories and Trends
The China Film Insider team wishes you a happy 2016. Thank you for reading and for sharing our work with your friends and colleagues as we continue to grow in the new year. — Jonathan Landreth, Sky Canaves, Pang-chieh Ho, and Jonathan Papish. The box-office booms. Again. China’s box office revenues grew at a blistering Read More
China Merchandising Rights: Legal Victory for Dreamworks on “Kung Fu Panda” Trademark
Not long ago, the Beijing Higher People’s Court ruled against a trademark squatter, Hu Xiaozhong (胡晓中), who had attempted to register the phrase “Kung Fu Panda” for a variety of automotive-related products such as children's carseats, seat headrests, and steering wheel covers. Read More
On Screen China: Appealing to the Lowest Common Denominator
Actor-director Deng Chao was accused of pushing Chinese comedy “to a new low in terms of racist and homophobic humor” after Deng himself donned blackface in last year’s The Breakup Guru, yet that film still managed to haul in $103 million from Chinese moviegoers. Read More
In ‘Mr. Six,’ China’s Changing and Staying the Same
Playing an aging gangster railing against the “little punks” who kidnapped his son in Beijing, Feng Xiaogang gives a solid performance as the title character of Mr. Six Read More
On Screen China: Christmas Eve Date Night at the Movies
After a quiet start to the annual Chinese box office “New Year’s period” (贺岁档)—just $212 million grossed during the first 17 days of December—ticket sales exploded last weekend as homegrown blockbuster Mojin—The Lost Legend (寻龙诀) debuted with a record $93 million. Mojin will continue its trek this weekend as it attempts to topple Monster Hunt as the highest-grossing film of all-time in China. But the distributors of two new releases will try to take advantage of the considerable space left over in the market by an underwhelming run from Surprise (万万没想到). Read More
A Supporting Role for Culture at China’s World Internet Conference
The World Internet Conference in the east coast city of Wuzhen last week sparked a good deal of debate about the China’s influence on global web governance. In its second year, the conference received a major boost in its significance when President Xi Jinping appeared in person to give a speech on the subject (Last year, he only sent a congratulatory message to mark the event’s opening)
On Screen China: ‘Mojin’ Racks Up the Box Office Records
While the rest of the world flocked to see Star Wars: The Force Awakens, Chinese moviegoers instead rushed to catch a homegrown blockbuster, Mojin—The Lost Legend (寻龙诀), buying tickets worth $91.9 million in just three days and helping the film from Wanda Pictures, Enlight Pictures, and Huayi Brothers to set several box office records for Chinese-language films. As predicted, Mojin and runner-up Surprise (万万没想到)—which grossed a modest $22.9 million over the three-day weekend—completely dominated China’s box office, accounting for a weekend market share of over 96%. Read More
On Screen China: ‘Mojin’ Boasts Major Mojo
Get ready for an unprecedented weekend at the global box office, with a twist in China. While North America and the rest of planet Earth prepare for the outbreak of Star Wars: The Force Awakens, Chinese audiences will be flocking to theaters for what is almost certain to be the highest-grossing weekend in the history Read More
On Screen China: ‘Surprise’!—Low-Budget Web Series Adaptation Wins the Weekend
Surprise (万万没想到)—a low-budget comedy based on a popular web series set for official release next Friday, December 18—stormed into theaters early last weekend, netting $17.3 million from its Friday and Saturday preview screenings, while Hollywood holdovers Point Break ($30.4 million total) and The Martian ($86.9 million total) both withstood a barrage of 15 new releases, hanging on Read More
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